Diane Kingstone is a Kindergarten teacher who met Sarah in 1982, where they spent two years at The Institute of Child Studies in Toronto, getting their teaching qualifications.
How did you come to see Sarah’s artwork?
We quickly became friends, and shared a passion for stories and art and children! I can’t honestly remember exactly where or when I saw the two pieces of Sarah’s work that I purchased, but it was a long time ago and I know that the Three Dog Night piece was also something that Sarah and I gave as a wedding present for our dear friend Heather Gilman. I’m guessing that I purchased a print for myself around the same time, and I remember wishing that I was able to buy more of Sarah’s work because I loved so many of her prints. I think I purchased the second art piece some years afterwards, but I’m not sure how many years later. At any rate, for as long as I can remember the two pieces have been in my living room.
Can you describe your favourite part of the piece?
What I especially love about both Four Dog Night, and Midnight Ramble, is the use of colour. I love their dynamic richness, and the way the colours contrast with each other. I also love the texture in both pieces…they almost look like pastel drawings in places. They give me the same kind of feeling I get when I I look at really powerful children’s paintings, Sarah’s work has the same kind of innate sense of colour and line that young children often have. I love the playfulness of both pieces, they make me smile, and I have never, ever tired of either. As I said earlier, my only regret is that, when other prints of Sarah’s were still available, I wasn’t able to purchase more of her work. I remember loving so many of her prints, but these are the two that resonated with me the most and I continue to get great joy from them as their warmth and vibrancy light up the walls of my living room.
Sally Rappeport is one of Sarah Hunter’s earliest patrons having acquired several pieces including [insert piece title]. As an acupuncture and herbalist, Sally currently lives in Brooklyn but the two met during university where she first saw her works hanging in Sarah’s apartment.
“The piece with the dogs is my favorite. It has such energy and passion.” -Sally Rappeport
“I love the quiet dignity that she imbued her with, her face is proud, butch and feminine all at the same time. I just love all of it.” -Parris Sander
Parris Sander is a legal administrator for a large corporation downtown Toronto who saw Sarah Hunter’s portrait of Hannah Gluckstein at a Nuit Rose show. “The moment I walked into the show I saw this portrait and I couldn’t stop looking at it. I kept pointing it out to people, and finally, I knew I had to buy it… I believe it was meant to be.”
After being invited to one of Sarah’s shows, writer, film and television director and producer Brad Wigor’s favourite purchased a portrait of his modern composer, Benjamin Britten. And according to Brad, his favourite part of the painting is “Britten’s sanguine look”. Thank you Brad!
“The portrait represents our shared love of classic films and theatre. It represents queer history in the arts and it impacts on mainstream culture.” -Maria Calandra
A dear friend of Sarah ‘TurtlArt’ Hunter, Maria Calandra met Sarah through their mutual love for film and theatre, which is how she came to purchase Tennessee Williams. One of Maria’s most memorable experiences was their visit to the Shaw Festival where they saw Cat on a Hot Tin Roof. This solidified Williams appreciation as being ‘our thing’. Shortly after that outing, “I saw the Williams portrait at an exhibit and knew it had to be mine!”
Sonja Scharf and Kelly Kyle are the creative directors at Akasha Art Projects. They had known Sarah Hunter through the art community but got to know her when she came to them for framing. But it was her participation in their annual Artival show which ultimately inspired them to purchase Janet Flanner and Lady Una Troubridge from the queer artist portraits series.
“I am by no means an art expert. That being said, I remember when I saw this piece, I was struck by the complex use of black and greys and the subtlety of the face that she painted. Without even really knowing what the piece was about or even called, I felt moved by it and kept looking at it as though I wanted to have it.” says Leslie Robinson about Sappho which he purchased.
Leslie Robinson is a second-year law student, friend of Sarah Hunter and frequent visitor to their art shows and studio. Leslie adds that he was attracted to this particular work because of it’s “strong feminine feel.” To see more of Sarah’s work, click here.