Welcome to 2024, a year bursting with possibilities and excitement! As we step into this new chapter, I can’t help but reflect on the vibrant journey that was 2023—a year of rediscovering purpose and diving back into the art world. For me, it marked a return to business as usual, especially with galleries reclaiming their spaces and embracing creativity.
Sarah Hunter and Fariz Kolvalchuk, The Window on Church Street.
One standout moment was the showcase of my series, Gender Queer in Paris, as a focal point in “The Window” exhibition at the bustling intersection of Church and Wellesley in Downtown Toronto throughout April. This collection is a deeply personal exploration, born from my student days in Paris, where I immersed myself in visual art, film, and French literature.
During that time, though I hadn’t fully embraced my identity, memories lingered—moments when my attraction to women began to unfold, and Paris became the backdrop for my initial encounters with being perceived as a man. What initially surprised me has now found clarity in my genderqueer identity. This ongoing series delves into that transformative period, capturing the essence of my burgeoning sexuality and the early steps on my journey of self-discovery.
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Dan Walsh, Sarah Hunter, Bernard Leroux and James Brown, Dignam Art Gallery.
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Sara Porter and Sarah Hunter, Dignam Art Gallery.
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Sarah Hunter and Mary Vite at Dignam Gallery.
The journey continued as Gender Queer in Paris found a place of honour at the Dignam Gallery’s Uptown Pride show. Sharing space with legendary artists like John Scott, my work became part of a special Pride celebration in June. If any of these pieces resonate with you, I’d love to hear from you. Drop me a line and let’s connect over art that speaks to the complexities of identity and the beauty of self-discovery. Cheers to a year filled with creativity, exploration, and meaningful connections!